Adam Kruszyński
Adam Kruszyński, Poland, Touch, 2005
blown glass, cold-worked, Dimensions: 13/13,5/30
Adam Norman Jenkins
Adam Norman Jenkins, Australia, The Fall Of Eve, 2019
Kiln casting glass, 50/25/20
Albena Dimitrova
Albena Dimitrova
Juha’s dream, 2015
Сънят на Юха
Fused glass, slumping
Dimensions: 32/32
Albena Dimitrova
Bulgaria, Meditation, 2020, Fused, 60/0.5/40
Alejandra Toribio
Alejandra Toribio, Argentina
no title, 2013
Fused glass, slumping, float glass, sand blasted glass
Dimensions: 18/14/7
Aleksandar M. Lukić
Aleksandar M. Lukić, Serbia, Holy River Drina 02, 2022, Fused glass, Dimensions 64/21/9
Alina Mdalina Panturu
Alina-Madalina Panturu, Romania, Wrinkled Shirts, 2021, Fused Glass, Dimensions: 60/2/70
Andrea da Ponte
Andrea da Ponte, Argentina
Swallowing words, 2018
kiln casting glass
Dimensions: 24/8
Ana Viñuela
Ana Viñuela, Spain, Of land to sea, 2020, Pâte De Verre, 2 x 30/30/1
'Of land to sea aims to represent the beauty of two antagonistic but at the same time complementary elements, such as the sea and the land. He is represented in this sculpture, which shows how the experience of both changes, by the colors that vary according to the perspective and by external conditions such as light, which constantly affect them.'
Ana Laura Quintana
Ana Laura Quintana, Argentina
Nature Cups, 2019
pate de verre
Dimensions: 11,5/40/19
Ana Quiroz
Ana Quiroz, Mexico, New Relic, 2020, Assembled glass, Dimensions 28/27/13
Anastasiya Tonkova
Anastasiya Tonkova, Bulgaria, Scar I & II, 2017, Fused, Mixed technique, 35/30/2
Andra Jõgis
Andra Jõgis, Estonia
Letters from home, 2016
Print on glass, cold-worked, layered glass
Dimensions: 17,6/25/1,5
Andra Jõgis
Andra Jõgis, Estonia
Dendro, 2019
blown glass
Dimensions: 50/50/120
Andrea da Ponte
Andrea da Ponte, Argentina
Globalized, 2015
Blown glass, image transfer
Dimensions: 36/36/36
Andrea da Ponte
Andrea da Ponte, Argentina, Globalized 2.8, 2018, Blown Glass, ø27
Anita Darabos
Anita Darabos, Hungary, Fragment, 2020, Cold Worked, Fused, Layered, Mixed Technique, Sandblasted, 24/74/11
Anjali Venkat
Anjali Venkat, Singapore, Tide Pool, 2021, Assembled, Cold Worked, Enameled, Fused, Lamp Worked, Layered, Painted, Slumped, Dimensions: 10/45/45
Anjali Venkat
Anjali Venkat, Singapore
Altereal- Emerge, 2018
pate de verre, fused glass, slumping, float glass, mixed technique, layered glass, other
Dimensions: 14/4
Anton Vrlić
Anton Vrlić, Croatia
Comet, 2016
Komet
Cut, polished and laminated optic glass
Dimensions: 15/13/8
Ake Rawdmek
Ake Rawdmek, Thailand, The uncertainty 2, 2019, Blown Glass, Dimensions 36/30/30
Aoife Soden
Aoife Soden, Ireland
A Test of Buoyancy, 2018
blown glass, mixed technique, other
Dimensions: 19/19/15
Armando Granja
Armando Granja, Panama, At sunrise, 2021, Kiln cast, 13/13/36
Arthur - heArthur - van Buuren
Arthur – heArthur – van Buuren, Netherlands, You are up in the air, 2022, Fused glass, 24/15/13.5
ARTWORK DESCRIPTION: 'This formidable sculpture is made in a mix of red, pinks and blue. The
light circle seems to fly! It is only fused to the dark inky blue
quarters of circle.'
Arūnas Aleksandras Daugėla
Arūnas Aleksandras Daugėla, Lithuania, Ocullists, 2018, Blown Glass, Cold Worked, Hot Sculpted, Dimensions: 40/10/15
Bernadette Neven
Bernadette Neven, Belgium, Dead Nature, 2021, Pâte de verre, Kiln casting, Screen printing, Dimensions 50/50/50
Birgit Köblitz
Birgit Köblitz, Hungary, Princess, 2021, Kiln formed, bended, 37/35/11
ARTWORK DESCRIPTION: 'The object is based on the fairy tale of the frog prince, only here the roles have been reversed: The princess is waiting for the kiss. It makes us wonder who we really are, and whether captive or sheltered. Under the arches protected, above the arches floating. In front of the gates, waiting ...on waving ground ... on winding roads ... - the world is colorful and sometimes the gray shades are fetching. This is a well-known, recurring story that still hides so many interesting discoveries.'
Caterina Zucchi
Caterina Zucchi, Italy
Light and Shadow
blown glass, sand blasted glass, mixed technique
Dimensions: 15/6
Carlos Sánchez
Carlos Sánchez, Mexico, Ethereal souls, 2022, Kiln formed, 45/30/10
Caterina Zucchi
Caterina Zucchi, Italy, „Monster“ necklace, 2022, Engraved, Lamp worked/Flame worked, Mixed technique, 60/30/10
ARTWORK DESCRIPTION: 'I wanted to do something unpleasant.
Intrusive, overbearing and annoying. Aggressive and somewhat arrogant.
I didn't want to achieve harmony and balance. I thought of starting from a reverse thought to create something monstrous, a frightening opprobrium. Perhaps, I should have tried harder to achieve a worse result than this.'
Catryn Shilling
Cathryn Shilling, United Kingdom, Consonance Diptych, 2019, Kiln Formed Glass, Fused, Slumped, Dimensions: 45/85/18
Cedric Ginart
Cedric Ginart and Karina Guévin, Canada, The goose and the golden egg, 2021, Lamp worked/Flame worked, 44/16/16
ARTWORK DESCRIPTION: 'This work is sometimes inspired by the wonderful world of classical literature and folk tales, our adventures around the world or by an old alchemy book that makes us dream. This work evolves and changes with the experiences and challenges we face along the way.'
Chad Holliday
Chad Holliday, United States, Buttress Sprocket, 2015, Mold melted, cut and polished, color shifting light reactive glass, 38/36/8
Cheryl Edwards
Cheryl Edwards, Australia, Ash, Sinuous Series, 2022, Kiln formed, Fused, Hot worked, Sandblasted, 15/17.5/36
Chiara Bettoncelli
Chiara Bettoncelli, Italy, Water, 2015, Acid etching, Cold worked, 45/6/1
ARTWORK DESCRIPTION: 'Acqua is a contemporary jewel handmade in Murano glass and organza; a versatile ornamental element, a belt-necklace for women with a minimal aesthetic, which goes particularly well with dresses with silk and crepe satin details. (…) To evoke the watery element, the material has been kept in its original texture in a hand-pulled slab: each piece is, in its simplicity, unique, as one differs from the other precisely due to the particular veins of the
surface.'
Christine Vanoppen
Christine Vanoppen, Belgium, Out of Line, 2022, Flame Worked, 50/45/18
ARTWORK DESCRIPTION: 'I create works that speaks of both the complexity of life and the woven and coiled aspects of the cocoon. Very graphic sets are reminiscent of drawing in space. Through a play of shadows, light and transparency, I invite the viewer to contemplate the fragility of life, the strangeness of dreams between illusion and reality.'
Claudia Henao
Claudia Henao, United States, Sacred Letter, 2020, Pâte De Verre, 14/6/5
Claudia Virginia Vitari
Claudia Virginia Vitari, Italy, Interstitial Identities, Umaru, 2022, Silkscreen on glass, layered, fused, rolled-up and coldworked, D 15-16
ARTWORK DESCRITION: 'The cycle “Umaru” does not explore the in-between spaces inhabited by a whole group at risk of exclusion (as was the case in my previous work) but is focusing on the personal story of a single individual. Umaru is originally from Guinea-Bissau and in 2022 he was able to return to his home country for the first time to visit his family after waiting for 15 years for the appropriate documents. The three silkscreened and rolled-up glass spheres, exhibited in dialogue to each other, are a study for an installation based on texts written by Umaru himself and countless dialogues which took place in my studio during the pandemic captured on portraits.'
Cristinа Ilinca
Cristina Ilinca, Romania, Woman (5), 2021, Blown glass, 40/12.5/15
ARTWORK DESCRIPTION: 'My artist mission is to reflect into my work the miracle of life, to mirror as well as I can the fascinating diversity of life. Woman series is part of a larger cycle in my body of works called Miracle of Life. I think that glass, as a fragile, still robust material, with its unique qualities, is suitable for representing life. They both share fragility, delicacy and yet an incredible strength. The degrees of transparency one can obtain from glass are both marvelous metaphors and good enough physical representations for the mysterious processes of life creation.'
Cristina Migliorini
Cristina Migliorini, Argentina
Aquarius, 2019
pate de verre
Dimensions: 12/6/4
Dainis Gudovskis
Dainis Gudovskis, Latvia
Remotely Happy, 2016
Iespējami laimīgs
Blown glass
Dimensions: 34/40/26
Dalia Doron
Dalia Doron, Israel, The deadly voyage towards freedom, 2022, Fused, Pâte De Verre, 24/12/6
ARTWORK DESCRIPTION: 'This boat flotilla was created in memory of the immigrants who are trying to change their lives for the better and survive for a better future. The flotilla will include 34 boats, memorialising and honouring all those who drowned in that dilapidated boat in the English Channel, as well as all those who have lost their lives attempting to seek asylum. Then “What is the Measure of Man?” The thinness of the boats symbolizes the fragility of life. The colours I chose are white, red, and black, with a hint of blue. White or transparent glass symbolizes the transparency of the people, while red and black symbolize life and death, blood and mourning. The hint of blue represents the sea. Twisted ropes of red will also be attached as an ambiguous symbol of life and death.'
David Schnuckel
David Schnuckel, United States
Cartograph, 2017
blown glass, fused glass, free fall, other
Dimensions: 50/50/5
Demetra theofanous/Dean Bensen
Demetra Theofanous/Dean Bensen, United States, Beneath your feet, 2019, Pâte De Verre, Sandblasted, Dimensions 6/34/44
Derya Geylani Virusan
Derya Geylani Vurusan, Turkey, White Night ( “Moment” series), 2021, Flame worked, Mixed technique, Dimensions 30/35/20
Desiree Sessegolo
Désirée Sessegolo, Brazil, Voids, 2020, Mixed Technique, Dimensions 3/31/31
Desiree Sessegolo
Desiree Sessegolo, Brazil
AMAZON, 2018
fused glass, mixed technique
Dimensions: 200/400/20
Dominique Jurić
Dominique Jurić, Croatia, Rising, 2021, Mixed Technique, Dimensions 30/30/30
Eda Ilbeyci
Eda Ilbeyci, Turkey
Existence, 2019
kiln casting glass, molded
Dimensions: 28/15/10
Elena Shushlyakova
Elena Shushlyakova, Russian Federation
Day before spring, 2018
kiln casting glass, mixed technique, other
Dimensions: 500/200/350
Elina Bilous
Elina Bilous, Ukraine
The memory of earth, 2015-2017
Пам'ять землі
Fusing, Metallization
Dimensions: 35/35/3
Elke Mank
Elke Mank, Germany, Bombing Sofia 1944; What Remains? 1944, 2022, Painted glass, fused, 2 x 30/30/0.6
ARTWORK DESCRIPTION: 'Time and again wars are fought and the result is always destruction, misery, hopelessness and death. The price of war is paid by soldiers and the population of all countries involved. In times of globalization, the whole world suffers from the striving for power of individuals. The partly transparent pictures, which are almost only possible with glass, allow a different view of the war. Then only when we see the hopelessness and need clearly can we understand, help and learn from the mistakes.'
Elmira Belova
Elmira Belova, Russian Federation, The balance, 2016, Blown Glass, Cold Worked, Dimensions 50/10/13
Eunkyoung Lee
Eunkyoung Lее, Republic of Korea, Overlapping Sequence, 2022, Cold worked, Kiln formed, Fused, 31/57/53
Evgenia Lukianova
Evgenia Lukianova, Russian Federation, Regatta, 2020, Cold Worked, Dimensions 150/57/75
Eunkyong Lee
Eunkyong Lee, Republic of Korea, The melody in the landscape, 2020, Cold worked, Fused, Kiln Cast, Dimensions 24/40/3
Fatma Ciftci
Fatma Ciftci, Turkey
Leave! 2017
Git!
Kiln casting, cold-working, sanding
Dimensions: 5/24/30
Gayle Buzzi
Gayle Buzzi, Canada
The Coons, 2019
pate de verre
Dimensions: 12/30/12
Giovanni Paseri
Giovanni Paseri, Venezuela, Optical Helicoid, 2022, Fused glass, assembled, 20/20/130
ARTWORK DESCRIPTION: '“Optical Helicoid” is a installation conceived as a three-dimensional structure made up of tetrahedrons with glassy edges, which rotate in a helical mode. The geometry of this work generates a rigid and at the same time flexible volumetry, between material (glass) and space (empty), contrasting with the fragility of glass and the structural strength of a 3D truss, antagonistic concepts within the same object.” In some of the triangular faces, optical pieces are inserted that seem to float along the structure and also outside it when illuminated, projecting onto the surrounding planes, making a light play of reflection and refraction.'
Grisel Pereyra
Grisel Pereyra, Uruguay, Memories in the bubble, 2021, Mixed Technique, Dimensions 40/40
Guillermo + Dina Silpituca + Priess dos Santos
Guillermo + Dina Silpituca + Priess dos Santos, Argentina
The printed pineapple, 2019
kiln casting glass, pate de verre
Dimensions: 27/35/24
Han de Kluijver
Han de Kluijver, Netherlands, Anchored movement, 2019, Kiln cast glass, 140/40/25
Herbert Monsieur
Herbert Monsieur, Belgium, Impression of a sunset, 2020, Assembled, Cold worked, Stained glass, Mixed Technique, Dimensions 40/30/30
Inguna Audere
Inguna Audere, Latvia, Mitten of My Past, 2022, Кiln cast, cold worked, painted, 60/11/13
ARTWORK DESCRIPTION: 'Rooted in Latvian mythology and traditions every mitten has a story. Every pattern has meaning bringing with it a special wish represented by symbols found in the pattern. This mitten’s shape taken from my hand reflects personal ethnography where chosen symbols from everyday life are embedded in the work. These symbolic objects, my mother-in-law’s jade beads, a poppy head, and clock pointer, together create a narrative or a form of visual poetry.'
Inita Emane
Inita Emane, Latvia, Horizon line, 2022, Assembled, Cold worked, Kiln formed, Fused, Mixed technique, 21/39/26
ARTWORK DESCRIPTION: 'Man lives in harmony with nature, its resources. The aggressive and irresponsible activity of the industry poses a threat of disaster to our Baltic Sea. The pollution is faster than the plans to save the existing ecological environment of the Baltic Sea. Horizon line- gives feelings of infinite peace to emotions and joy of life. How to protect it?'
Ioana Stelea
Ioana Stelea, Romania, Notes, 2021, Blown Glass, Cold Worked, Engraved, Dimensions 70/60/20
Iva Kolorenčová
Iva Kolorenčová, Czech Republic
Above Elbe, 2008
Nad Labem
Painting on glass
Dimensions: 6x25/35
Jacob Willcox
Jacob Willcox, USA
Conversation, 2018
Jaime Graschinsky
Jaime Graschinsky, Argentina
Woman with Light, 2018
kiln casting glass
Dimensions: 22/15/15
Jan Hooghiemstra
Jan Hooghiemstra, Netherlands, Journey, 2020, Sand Cast, Dimensions 42/62/11
Jan Hooghiemstra
Jan Hooghiemstra, Netherlands, Carry on, 2021, Sand cast, 10/22/22
Jasminka Begić
Jasminka Begić, Croatia, Turn on the light when I'm gone, 2021, Fused, 35/45/8
Jean-Philippe Paumier
Jean-Philippe Paumier, Netherlands, Eternal Spring, 2020, Hot worked, Mixed Technique, Dimensions 48/16/6
Jean Thebault
Jean Thebault, France, Lava Flow, 2020, Blown Glass, Cold Worked, Dimensions 40/27/12
Jelena Popadic
Jelena Popadic, Netherlands, Byzantium Blue, 2022, Blown glass, Sandblasted, 18/21/2
Jianyong Guo
Jianyong Guo, China, Brilliant life, 2021, Assembled, Cold worked, Engraved, Kiln cast, Mixed technique, Painted. Dimensions 61/75/25
Joaquim Falcó and Meritxell Tembleque
Joaquim Falcó and Meritxell Tembleque, Spain, All fires, 2021, Cold Worked, Fused, Layered, Dimensions 70/45/37
Jonas Noël Niedermann
Jonas Noël Niedermann, Switzerland
Floating Lines, 2018
blown glass, sand blasted glass, cold-worked
Dimensions: 20/28/28
Josipa Baljak
Josipa Baljak, Croatia, Brass line, 2021, Cold Worked, Fused, Mixed Technique, Dimensions 30/30/70
Julia Kastler
Julia Kastler, Austria, Heart Space, 2020, Painted, Stained glass, Dimensions 61,4/45/4
Josipa Baljak
Josipa Baljak, Croatia
The relationship of blue, 2019, Kiln casting glass, cold-worked, Dimensions: 35/35/35
Julia Kruteeva
Julia Kruteeva, Russian Federation, The soul of botanist departing to his paradise, The soul of botanist departing to his paradise, 2019, 71x40
Julia Rokina
Julia Rokina, Russian Federation, Illusion, 2015, Cold Worked, Fused, Glass with inclusions, Dimensions 18/13/10
Julia Rokina
Russian Federation, Oreada, 2013, Cold worked 30/15
Karen Nyholm
Karen Nyholm, Denmark, Flourish, 2020, Hot sculpted, glass with inclusions, 93/33/22
Katherine Southam
Katherine Southam, Canada
Journey, 2019
kiln casting glass, glass with inclusions, other
Dimensions: 13/6/32
Kim Logue
Kim Logue, New Zealand
Melts, 2018
Kiln casting glass, fused glass, glass with inclusions, mixed technique
Dimensions: 5/27/36
Krista Israel
Krista Israel, Netherlands, Seedpod #4, Seedpod Series, 2014, Flame Worked, Blown Glass, Cold Worked, Assembled, Dimensions 20/20/20
Kristína Ligačová
Kristína Ligačová, Slovakia, Bubbles, 2020, Blown Glass, Mixed Technique, Dimensions 25/25/19
Kesniia Vekshina
Kesniia Vekshina, Russian Federation, Spring Wind, 2020, Kiln Cast, Dimensions 24.5/26.5/1.8
Kim Gromoll
Kim Gromoll, Netherlands, Cocoon, 2020, Lamp worked/Flame worked, Mixed technique, dimensions variable (1 - 10 cm)
ARTWORK DESCRIPTION: 'Within cocoon a selection is shown of an ongoing process in which deceased insects are gathered throughout daily life. A fragile husk is all that remains from many of these creatures, yet upon closer inspection immense beauty may be found in their transient physical presence. Through adopting the insects into this colony of unseen passing, a new stage in the post-lifecycle is set in motion. Encased in a thin and vulnerable glass cocoon, they are offered temporary protection & preservation from outside influences, human or natural alike. The glass cocoon as an intervention allows for the short life of each of these individuals to resonate beyond their own time. An opportunity for us to take a more attentive look at these tiny beings which account for the majority of life on the planet.'
Kseniia Vekshina
Kseniia Vekshina, Russian Federation
Ice, 2016
kiln casting glass
Dimensions: 39/43/1.5
Kwun Lan Wong
Kwun Lan Wong, China, I thought you were listening, 2022, Blown glass, Hot sculpted, Painted, 67/40/30
ARTWORK DESCRIPTION: 'Using life-sized glass characters, my work manifests the anxiety generated by the fragility of trust and intimacy in contemporary human relationships. The medium of glass allows me to demonstrate the interdependent relationship of life. Glassblowing requires close teamwork. Based on the logic of human coexistence, the further we are away from our community, the harder it is for us to feel peace and satisfaction. With the help and trust of other glassblowers, My character expresses my inner self in this safe community. Characters’ forms and gestures evoke the audience's empathy.'
Lada Uchaeva
Lada Uchaeva, Russian Federation
Silense, 2018
print on glass, cold-worked
Dimensions: 40/34/10
Laura Lærke Nielsen
Laura Lærke Nielsen, Denmark, Tactile Landscape, 2022, Blown glass, 18/18/32
ARTWORK DESCRIPTION: 'Working with shards I create a sculptural surface I refer to as a landscape. It requires the
cooperation of the materials, as the glass body partly determines where and how specific shards attach. This cooperation is half frustration, half fascination, as the at times wayward behavior of the glass body and the inability to shape it with my hands, makes the process wild and messy.
The end result does not reflect that, instead it appears friendly, soft and appetizing.'
Laura Madsen
Laura Madsen, Denmark
Gargoyle Meltdown, 2017
blown glass, mixed technique
Dimensions: 23/17/17
ARTWORK DESCRIPTION: 'I am primarily educated at Orrefors Glassbruk in Sweden but I have also worked at Simone Cenedese in Venice. In addition, I have participated in several courses around the world for example at Sar-Porteries, France and at Pilchuck in Seattle. In 2002 I founded my own studio LaMa Glas in Denmark, where I have been working ever since. I have always been fascinated by the glowing hot glass and the bright orange colour. I find that the transparency and fragility of the finished glass pieces are in great contrast to the intense work process with the hot melted glass. I try to maintain a moment of this process in my work to achieve a lively and organic expression. I have chosen a piece from my “gargoyle” collection, where I combine sandcasted heads with the hot blown glass. Gargoyle melt down is a sculpture/vessel, where I have applied sand casted heads and then gathered glass around it. The shape of the heads melts and the faces left in the glass are traces made only out of small bobbles and sand grit; it appears as a frozen moment of time.'
Laure Fradin
Laure Fradin, France
Behind The Clouds, 2016
blown glass
Dimensions: 30/10/92
Lee Harris
Lee Harris, United States, Reliquary of a Pope, 2021, Assembled, Blown Glass, Hot Sculpted, Dimensions 46/20/20
Ljiljana Barković
Ljiljana Barković, Croatia, Couple, 2021, Cold Worked, Fused, Kiln Cast, Mixed Technique, Dimensions 13/6/6.5
Lothar Böttcher
Lothar Böttcher, South Africa, Crouching Leopard,2021, Cold worked (Schott optical glass), 19/5/12
ARTWORK DESCRIPTION: 'Crouching Leopard is part of my Precious Beast series of sculptures inspired by Palaeolithic art. My Precious Bests are a meditation on the process of making, linking mankind throughout millennia as imaginative and creative creatures. These fantastical beasts are an attempt to find the magic within us all.'